Text / Compiled and reported by the editorial team of MOOK Scenic Spots Family Travel Life Network
Flipping open the first page of a fairy tale in your heart, you’re delighted to find montages telling warm and adorable stories that instantly balance the heaviness of the real world. Although in these stories, monsters still run rampant, sadness still drips drop by drop, and protagonists struggle in adversity, but such is reality — it can be unpredictable, simple and unadorned, or contrived; it can be elegant or crazy, it can chase ideals and justice with chest-thumping courage, or shout out the most shallow, evil, and cowardly side of oneself... When a bright and adorable figure appears, the world quietly becomes clear and luminous.
Kang Eddie (Jiang Xijun), Nostalgic Feelings – Somewhere in My Lost Memories. (Image provided by Metaphysics Gallery)
This exhibition features works by Marie Laurencin, Gary Baseman, Kusama Yayoi, Yoshitomo Nara, Yoshitaka Amano, Hiroyuki Matsuura, Sakurai Rieko, Kwon Ki-soo, Eddie Kang, Yang Maolin, and Yang Na. Their creations are endearingly whimsical, rich in layers. Within their adorable charm lie warmth, humor, romance, freedom, as well as both joy and sorrow, passion and loneliness... Their cuteness goes far beyond what meets the eye.
Yoshitaka Amano, Monochrolme. (Image provided by Metaphysics Gallery)
The adorable characters under Gary Baseman’s brush are enacting absurd, bizarre, and nonsensical fairy tales. But when you look deeper, his dark humor is nourishing — it’s a fantastical world full of love, much like the interplay of bitterness and sweetness in life. Sakurai Rieko uses vibrant colors to represent the ever-changing hearts of girls — sometimes innocent and naive, sometimes cunning and calculating. Yet through their unwavering, unflinching gazes, where is the need for reasons behind youth’s fearlessness and original aspirations?
Gary Baseman, The Baptism of Chou Chou. (Image provided by Metaphysics Gallery)
Yang Maolin, The Lucky Anglerfish of Oz. (Image provided by Metaphysics Gallery)
Yang Maolin showcases his unique take on fairy tales, transforming deep-sea fish that emit a faint glow in the dark silence into the vessels and steeds of fairy-tale protagonists. Their adorable forms fulfill the longings of our childhood and invite us to cruise the deep seas in search of truth. The unnecessary seriousness and rigidity of the adult world can actually be handled with ease. Kusama Yayoi tells her life story through polka dots, spinning colorfully and elegantly in an infinitely vast alternate space. Who says pain, madness, and fantasy can only play melancholic tunes? Yoshitomo Nara, with his signature large-headed, big-eyed figures — their innocent yet slightly mischievous gaze, whether glaring in anger, smiling sweetly, pouting, or staring blankly — lets us feel their genuine childlike purity. Gungiuri flies through a crimson sky as if flight itself is the joy of freedom, yet landing is also a beautiful dance with falling petals. Hiroyuki Matsuura always uses the simplest imagery to express his deepest philosophy on life — life is a passionate game, games can always start anew, and we can always summon the courage.
Sakurai Rieko, Cosmic Girl II. (Image provided by Metaphysics Gallery)