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Yayoi Kusama: The Obsession with Dots of an Ultra-Visual Avant-Garde Artist

Published: 2026-09-24 👁 100 views
Last updated 2026-09-24 — I’ve always been following the works of Japanese avant-garde art genius Yayoi Kusama at auction and art exhibitions. Her artworks possess a certain magic — they feel close yet distant, far yet near. The longer you look, the more you’re drawn in, wanting to see the details, and within those details are even more details. You just keep staring... and before you know it, you're sucked into a dreamlike painting. Though the techniques may seem repetitive, this is a form of compulsive behavior that forces her to repeat over and over, allowing her to find peace within these repeated actions.

Text and photos / Yu Tian

I’ve always been following the works of Japanese avant-garde art genius Yayoi Kusama at auction and art exhibitions. Her artworks possess a certain magic — they feel close yet distant, far yet near. The longer you look, the more you’re drawn in, wanting to see the details, and within those details are even more details. You just keep staring... and before you know it, you're sucked into a dreamlike painting. Though the techniques may seem repetitive, this is a form of compulsive behavior that forces her to repeat over and over, allowing her to find peace within these repeated actions.

Yayoi Kusama’s works are highly original, with almost no similar styles to be found. It’s no exaggeration to call her an avant-garde artist full of originality. Just as Picasso’s every new piece always brought something fresh — sometimes entirely different techniques that surprise you — that’s a quality only a genius could possess. However, Yayoi Kusama’s works are even more diverse. Her brilliant creations span across paintings, sculptures, performance art, installation art, films, and also include literary works. For Yayoi Kusama, creation and inspiration come so naturally and effortlessly. Her obsessive dedication to creation continued even during her hospitalization in old age, where she refused to put down her brush. Yayoi Kusama’s works are rich and varied — seemingly serene yet carrying a delightful sense of entertainment, with great appeal that both adults and children love. The captivating charm of her pieces is hard to resist, and her tireless creative spirit, along with her perseverance, is truly admirable. Grandma Kusama's determination is inspiring.

Asian Tour – Taiwan Stop
In February this year, Yayoi Kusama’s Asian tour exhibition came to Kaohsiung and is now being held in Taichung. This Asian tour surpasses the ones in Europe and America, featuring not only classic works but also new pieces. In particular, it showcases her new artworks from 2013–2014, such as the “My Eternal Soul” series, as well as works that are making their Taiwan debut, like the “Infinity Mirrored Room - Brilliance of the Souls.” Nearly 120 pieces, including paintings, sculptures, installation art, and video works, are being exhibited together on a grand scale in Taiwan.

Suffering from visual and auditory hallucinations due to a neurological disorder, and facing a broken and difficult family life that often gave her suicidal thoughts, Kusama’s hallucinations made her paintings filled with small dots since she was ten years old. As soon as you walk into Yayoi Kusama’s exhibition gallery at the Kaohsiung Museum of Fine Arts, you are greeted by these giant dot-covered spherical installations. Among them, two spheres hold special surprises inside — one large and one small, each hiding another dreamlike world.

▲1929: The Obsession with Dots

%Your home has been...? At the end of your hall, play your favorite childhood music, and you'll instantly feel the atmosphere of the art world your master once thrived in. The world you see through Kusama’s eyes as a child was like this, wasn't it? She said it herself — growing up was tough, but the world she created inside those dot spheres and flowers is wholeheartedly innocent.

▲%Add Your Own Basket

If you’ve seen documentaries about Yayoi Kusama, you’ll likely resonate with this series. In the film, while answering interview questions, she used a black marker pen to draw the massive “Love Forever” series. Since Kusama usually keeps the originals for herself, the displayed works are all silkscreen reproductions.


▲ Repetitive Vision, Phallus Boat (Repetitive-Vision, Phallus-Boat, 2000). From her teenage years, Yayoi Kusama had a fear of sexuality. By repeatedly creating the phallic shapes she feared, she found a way to heal her psychological barriers. Kusama referred to these series of works based on compulsion as “Obsessional Art.”


▲ Infinite Nets and Dots (INFINITY NETS & DOTS, 2006–2013)

This is the very “Infinity Nets” series that truly brought Yayoi Kusama to fame. Created in the late 1950s, the classic white “Infinity Nets” were followed by many variations in different colors. These works feature single-hued nets that seem endless, forming a stark contrast with the background color. The infinite obsession patterns highlight Kusama’s skill and perseverance in her brushwork — visitors often mistake them for printed patterns. Kusama’s Infinity Nets and Dots series are highly sought-after by collectors in the auction market, consistently ranking as top names in recent Japanese art auctions, with transaction prices reaching tens of millions of Taiwanese dollars. Yayoi Kusama’s art stands the test of time. Over the past fifty-plus years, her creations born from hallucinations and her signature dot style have successfully transcended ethnic differences and geographical cultural boundaries.

▲ “I Pray Forever for the Beloved Tulips” (With All My Love for the Tulips, I Pray Forever, 2013)
Yayoi Kusama wrote in her autobiography: “When I cover my entire body with dots and then fill the background with the same pattern, I can erase my own existence. That is what I call ‘obliteration.’” For the Asian tour, Kusama specially created this installation piece. Flowers are one of her favorite themes to create, which is largely related to her childhood — when her mother opposed her painting and threw away her art supplies, she would often draw flowers and plants outdoors.

Yayoi Kusama wrote in her autobiography: “When I cover my entire body with dots and then fill the background with the same pattern, I can erase my own existence. That is what I call ‘obliteration.’” For the Asian tour, Kusama specially created this installation piece. Flowers are one of her favorite themes to create, which is largely related to her childhood — when her mother opposed her painting and threw away her art supplies, she would often draw flowers and plants outdoors.

▲ My Eternal Soul Series (MY ETERNAL SOUL, 2009–2013)



"My Eternal Soul" Series (MY ETERNAL SOUL, 2009–2013)
This is Yayoi Kusama’s latest series of paintings, reusing motifs from her “Love Forever” series such as dots, nets, eyes, side profiles, flowers, dogs, and women. The colors are vivid, mixing figurative and abstract elements without any conflict.


▲ Pumpkin (2013–2014)
Yayoi Kusama’s most well-known public installation artwork — the healing three-dimensional pumpkins are extremely charming. Kusama also found redemption through painting pumpkins. At Sotheby’s Hong Kong “Boundless: Contemporary Art” auction preview, the “Pumpkin” piece, made from colored reinforced fiberglass, was estimated at HK$3.2–3.6 million, but sold for over the expected value, fetching HK$3.86 million (including commission).

▲ Dot Sticker House

The famous Japanese TV host Takeshi Kitano once played a dot-sticker game with Yayoi Kusama on a show, where Kusama placed stickers on his body and they danced together. The exhibit features an all-white domestic space set up with white sofas, white dining tables and chairs, etc. Visitors receive a dot sticker, and we too can become avant-garde artists — sticking them randomly can still create the illusion of the beautiful dots from the master’s imagination. This interactive experience is really fun. These various-sized round stickers, regardless of size or color, are thoughtfully designed. Whether reflecting the avant-garde artist’s aesthetic or intuition, the assembled hues create a very Kusama-like touch: dots that continuously grow and spread across walls and ceilings, forming a web.

Taichung Exhibition Details:
◆ Exhibition Dates: June 6, 2015 – August 30, 2015
◆ Opening Hours: Tuesday to Friday 9:00–17:00, Saturday & Sunday 09:00–18:00, closed on Mondays (last entry at 16:30 on weekdays, 17:30 on weekends)
◆ Venue: National Taiwan Museum of Fine Arts, Exhibition Room 101
◆ Official Website:http://www.mediasphere.com.tw
◆ Ticket price: 180~220 RMB

▲ Yayoi Kusama Taipei Concept Store
The charm that has spread up from the south can also be felt in Taipei—this dreamlike, surreal, and magical art. The concept store inside Huashan 1914 Creative Park sells Yayoi Kusama merchandise, as well as desserts, snacks, and drinks designed with the iconic polka dot style. The café also displays side photography from the exhibition venue.

▲ Food and tableware both feature classic masterpieces on display!

▲ Polka dot-style mango pancakes


▲ Yayoi Kusama cake lollipops


Kaohsiung exhibition video footage:

Author of “Tian Man Painting Box”:
Yu Tian’s Fan Page
Yu Tian’s Blog

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