Do you still remember the Flower Expo at Dajia Riverside Park on New Year’s Eve? The spectacular water performances left a deep impression. Now, the long-awaited grand finale show, "Memory of Water," is the first collaboration between Taiwan and the French aquatic utopia theater group (ilotopie), jointly creating a unique surprise for Taiwan. The 30-minute performance will make its grand debut every evening at 8:30 PM (with an additional show at 6:30 PM on Saturdays) from January 15 to April 25 at the Eco-Theater of Dajia Riverside Park.
The French aquatic utopia theater group (ilotopie) has been active for 30 years and has performed in 55 countries. (Photo provided by ilotopie)
Founded in 1980, the French aquatic utopia theater group (ilotopie) aims to carry out artistic actions in public spaces. Composed of actors, sculptors, dancers, musicians, and researchers, their collective works often reflect the challenges faced by individuals and society. Through their performances, they piece together images of the society they inhabit, thereby fostering new reflections and doubts. The audience is not merely moved by the work but actively participates and becomes immersed within it.
"Memory of Water" portrays three different eras of Taiwan without dialogue, using only music (such as “Tian Mi Mi”) and symbolic elements of each era (like straw raincoats, steel bars, and computer mice) to depict life in Taiwan during the 1930s, 1970s, and the present day. The water in the eco-theater flows gently—not rushing or fast—seemingly silent yet constantly moving, symbolizing the passage of time. The performance unfolds in the large pool as the water circulates with the turning of the waterwheel, resembling pages being turned from the story of life.
All 39 performers in this show were selected in Taiwan, while the technical aspects of the performance are collaborated on with the French theater group. (Photo provided by ilotopie)
To align with the storyline, "Memory of Water" also features giant floating platforms inspired by classic symbols resonant with Taiwanese audiences—such as Taiwan Fong Lee canned goods and baseball—used to carry the performers. These direct visual symbols guide the audience into the deeper meaning of the performance. Some props and costumes are intentionally designed in disproportionate sizes, not only to create a strong visual impact but also to convey a sense of humor and the playful blend of reality and fairy tale.
Related Links
Taipei International Flora Expo: http://www.2010taipeiexpo.tw/frontpage/welcome.htm
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