Remember the Flower Expo at Dajia Riverside Park on New Year’s Eve? The spectacular water performance left a deep impression, and the long-awaited closing show “Memory of Water” marks the first collaboration between Taiwan and the French aquatic utopia theater troupe (ilotopie), co-creating a surprise piece exclusive to Taiwan. The 30-minute performance will grandly premiere every evening at 20:30 (with an additional show at 18:30 on Saturdays) from 1/15 to 4/25 at the Eco-Theater in Dajia Riverside Park.
The French aquatic utopia theater troupe (ilotopie) has been active for 30 years and has performed in 55 countries. (Image provided by ilotopie)
Founded in 1980, the French aquatic utopia theater troupe (ilotopie) aims to carry out artistic actions in public spaces. Composed of actors, sculptors, dancers, musicians, and researchers, their collective works often reflect the challenges faced by individuals and society. Through their performances, they piece together images of the society they inhabit, thereby establishing new reflections and doubts. The audience is not just moved by the work but actively participates and becomes immersed within it.
"Memory of Water" depicts three different eras of Taiwan without dialogue, using only music (such as “Tian Mi Mi”) and symbolic items from each era (like straw raincoats, steel bars, and computer mice) to portray Taiwanese life in the 1930s, 1970s, and the present day. The water in the eco-theater is neither turbulent nor fast-flowing; though seemingly still, it moves slowly, symbolizing the passage of time. The performance unfolds in the large pool as water flows with the rotation of the waterwheel, resembling pages being turned from the story of life.
All 39 performers in this show were selected in Taiwan, with technical aspects of the performance carried out in collaboration with the French troupe. (Image provided by ilotopie)
In line with the storyline, "Memory of Water" also features giant floating platforms inspired by classic symbols resonant with Taiwanese audiences—such as Taiwan Fongshan canned foods and baseball—used to carry the performers. These direct visual symbols guide the audience into the deeper meanings of the performance. Some props and costumes are intentionally designed with disproportionate sizes, not only to deliver a strong visual impact but also to express a sense of humor and the playful blend between reality and fairy tale.
Taipei International Flora Exposition: http://www.2010taipeiexpo.tw/frontpage/welcome.htm
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