The "54th Venice Biennale Taiwanese Pavilion 2011" will open on June 4th at the Palazzo delle Prigioni in Venice. This year, the Taiwanese Pavilion will present an exhibition themed around "sound," showcasing Taiwan's "Social Soundscape." The Taipei Fine Arts Museum has invited two artists, Wang Hong-kai and Su Yu-hsien, to participate in the exhibition, bringing the voices of ordinary people in Taiwan to the forefront. Zheng Hui-hua, the curator for this edition, stated that a sound database/bar will be set up at the venue, explaining the execution design team and conceptual framework behind the project.
Wang Hong-kai’s work 《Our Work March》 captures the process of recording sounds at a sugar factory. (Photo provided by Taipei Fine Arts Museum)
The Taiwanese Pavilion exhibition is titled 《Hear, and What Remains Unheard – Taiwan’s Social Soundscape》, an exhibition about “sound” that presents Taiwan’s “Social Soundscape.” The venue will feature a specially designed “sound database/bar,” using audiovisual archives to depict Taiwan’s local history and social background. Visitors can relax in this public space and engage with Taiwan’s social context through listening and viewing. Cultural commentators Zhang Tie-zhi, Luo Yue-quan, and architect Liu Kuo-tsang jointly organized and designed this sound database. It highlights social movement sounds and sound art since Taiwan’s lifting of martial law, including over ten “sound events and recordings” that have driven social change in Taiwan.
Su Yu-hsien’s work 《Drummer No. 10》, photographed with a drummer living under Highway 10. (Photo provided by Taipei Fine Arts Museum)
Wang Hong-kai’s work 《Our Work March》 uses “sound” as its main creative content and concept. She returned to her hometown of Huwei in Yunlin, collaborating with a local sugar factory that has a history of over 100 years. Retired employees and their families were invited back to the factory, where sound workshops were held to guide them in using microphones to actively record the sounds of their former working and living environments. Su Yu-hsien’s work 《Those Insignificant Sounds》 is a project focusing on ordinary people. He delved into the lower strata of society, rediscovering those living diverse yet ordinary lives—such as scavengers, foreign ship workers, and homeless individuals. Su invited them to form bands and create “music,” producing amateur albums in a manner similar to independent bands, using formats such as albums and documents. These works serve as a platform for these individuals or groups to have their voices heard.
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