By MOOK Scenic Spots Family / Compiled and Reported
Located by the riverside near Gongguan, “Treasure Hill Artist Village” has hosted the Treasure Hill Light Festival since 2012, with each year exploring a different social theme through its curation. Last year’s theme, “Here and There,” opened up visitors’ imagination of “light” in new ways. This year’s 2019 Treasure Hill Light Festival, themed “Wildscape,” presents a contradictory vision of modern civilization and the wild through the creative language of artists, the connection of art and cultural events, participant interaction, and collaboration between local residents and students.
This is an image from the 2018 Treasure Hill Light Festival event. (Photo / Taipei City Government)
From the moment you step into the village, the art collective Yan i<透过作品〈众里寻他千百度〉,带着人们在聚落的巷弄里散步,细数座落的路灯和脚前的风景。对自然环境的关爱也反应在人屿和奥尔加.蒂亚戈(Olga Diego)的作品中,他们以回收废弃物和塑胶制造了一座流泻著萤光瀑布的假山水,以及充气电子装置闪著亮光的塑胶人间乐园。
Olga Diego – Plastic Paradise (Photo / Treasure Hill Artist Village)
Deep within Treasure Hill stands Xu Tangwei’s “Rainbow Light Tree: Planet of Fruits.” These two planets resemble wild, primal spaces full of vitality, gazing toward the giant transparent tent built at the settlement’s entrance by Isozaki Michiya. Zhuang Zhiheng’s “Sundial Trace” leaves streaks of light on the walls of village houses, recreating traces of life within the settlement.
Isozaki Michiya – Dome Project (Photo / Treasure Hill Artist Village)
In the Semi-Floor Plaza stands Li Chengliang’s stage broadcasting system “Eternal Station,” transformed from a spherical water tower, where people can climb up like boarding a rooftop space station to sing and dream wild dreams. Next to it, the projection on the corrugated iron roof, “Signal Lost – Night” by Guo Yichen, responds to the alienated relationships among people in his work, reflecting Li Chengliang’s imagined scene of “Eternal Station” born from modern-day alienation. The machine gun bunker behind also transforms into a wormhole leading to a secret cosmic base.
Li Chengliang – Eternal Station (Photo / Treasure Hill Artist Village)
The development of artificial intelligence blurs genuine emotions, and Chen Yunru and Ryutaro Takahashi interpret today’s societal encounter with technological enslavement through facial tracking and online games.
Ryutaro Takahashi – Treasure Hunter (Photo / Treasure Hill Artist Village)
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