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Taiwan Creative Culture & Arts Expo: A New Sensory Journey in the Era of Creativity
Published: 2026-09-24👁 100 views
Last updated 2026-09-24 — “Now is an era of cross-boundary collaboration,” said veteran curator Hu Chao-sheng bluntly. The Taiwan Creative Culture & Arts Expo, to be held on January 1, 2017, at the DALIART Art Plaza in the Taichung Software Park...
By MOOK Scenic Spots Editorial Department
“Now is an era of cross-boundary collaboration,” said veteran curator Hu Chao-sheng bluntly. The Taiwan Creative Culture & Arts Expo, to be held on January 1, 2017, at the DALI ART Art Plaza in the Taichung Software Park, will gather thousands of works by domestic and international artists, 51 dynamic pop performances, and over 500 creative shops during its nearly two-month run. By facilitating industry exchanges and matchmaking across art, culture, architecture, installations, 3D digital media, performance, and food, the event will engage all five senses—sight, sound, smell, taste, and touch—to promote local creative culture and help it reach the world.
Yayoi Kusama. Pumpkin A Pumpkin GB-D 2004 Screenprint 24x28.5cm (80). (Image provided by Taiwan Creative Culture & Arts Expo)
New Media Art Shakes the Senses
The curator of the “New Media Art Exhibition” at this year’s Taiwan Creative Culture & Arts Expo, Hu Chao-sheng, said, “Creative culture stems from originality, and art itself is a form of originality.” Some people still have the stereotype that art is just about visiting museums to look at paintings, but in fact, with the continuous evolution of technology, the mediums of creation have long moved beyond paper and canvas into the virtual world. Virtual reality, computer projection, thermal sensing, and sound installations give creators more freedom to express themselves, while audiences shift from passive observers to active participants. In this expo that emphasizes innovative value, 14 artists from Taiwan, the U.S., Japan, India, and other countries have been specially invited to create with new media materials. As Hu Chao-sheng put it: to truly integrate creativity into daily life.
Hong Jiang-bo _ Gurgling Spring _ 65x91cm _ Mineral Pigment on Silk _ 2015. (Image provided by Taiwan Creative Culture & Arts Expo)
“This exhibition might be a completely new experience for you,” said Hu Chao-sheng. “The theme is empathy—letting artworks interact with visitors’ voices and reactions, thus making the audience part of the work.” For example, Taiwanese artist Tao Ya-lun’s piece
Artwork by Yao Zhong-han, Time. (Image provided by Taiwan Creative Culture & Arts Expo)
Go Qing-Crazy with Emperor Qianlong
This year’s Taiwan Creative Culture & Arts Expo has specially invited several institutions, including the National Palace Museum, the National Taiwan Museum of Fine Arts, the National Caotun Craft Research Institute, and Chaoyang Design Institute, to jointly present seven special exhibitions. The National Palace Museum brings its award-winning “Qing-Cool: The New Media Exhibition of Emperor Qianlong” to central Taiwan. The coolest ambassador deep within the museum—Emperor Qianlong himself—takes the stage, using cutting-edge technology to lead visitors into the creative life of the Qing imperial court. The highlight of Qing-Cool lies in its interactive exhibits that transform the museum’s collections, immersing visitors in the atmosphere of royal treasures. Through participation, visitors truly grasp the spirit behind the artworks.
-monitor, standing on the motion platform, feels as if their soul has left their body, examining the time and space around them in a virtual realm. Observing the space prompts reflections on the essence of one's own existence, leading to deeper imagination. Additionally, Lin Chun-ting’s work uses sensing devices to bring traditional Chinese ink paintings to life. Visitors’ actions—approaching, moving away, gathering—affect the painting, causing the originally still peony shrubs to bloom from buds to full flowers. This creates an emotional connection between humans and the artwork, sparking endless imagination and evoking the feeling that “each flower is a world, each grain of sand a paradise.”
The Qing-Cool Special Exhibition offers visitors more 3D interactive experiences. (Image provided by Taiwan Creative Culture & Arts Expo)
Visitors first pass through a time tunnel made of the (Illustrated Tributaries of the Qing Empire) and portraits of Emperor Qianlong, transforming themselves into the emperor. Stepping onto the sensor-enabled “Tree of Colors” walkway, the clothes they are wearing are transformed into vase color patterns, giving a personal interpretation to Qing craftsmanship. Next, they arrive at the “Qianlong’s Microcosmos” to admire contemporary artworks created by artists inspired by cultural relics displayed in glass cases. In addition, the widely loved “Qianlong’s Spring Dawn Festival,” based on the , uses a virtual city where time and space overlap. With facial capture technology, visitors’ faces are projected into the painting, allowing them to step into the artwork as temporary actors. Seeing one’s own face appear in an ink painting is both novel and fun, while also offering a unique perspective.
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