Introduction One of China's three most famous folk New Year paintings. It originated during the Chongzhen era of the Ming Dynasty and flourished in the Qing Dynasty. In the history of Chinese woodblock printing, Yangliuqing New Year Paintings and the renowned Suzhou Taohuawu New Year Paintings in the south are jointly referred to as "Southern Peach and Northern Willow." At that time, most villages in and around Yangliuqing Town in Xiqing District, Tianjin, were engaged in the production of New Year painting workshops, earning the saying "every household knows dyeing, every home excels in painting."
Yangliuqing New Year Paintings inherit the traditions of Song and Yuan Dynasty painting, absorbing elements from Ming Dynasty woodblock prints, arts and crafts, and theatrical stages. They are produced using a combination of woodblock printing and hand-coloring—first printing the outlines with woodblocks, then filling in the colors by hand—creating a unique style that combines the forceful charm of woodblock art with the aesthetics of traditional Chinese painting. Utilizing various techniques such as symbolism and realism, the paintings draw inspiration from real life, folk customs, and historical stories, making them a beloved form of folk art that has gained international recognition.
Today, visitors to Yangliuqing Town can still see the Yangliuqing New Year Painting Workshops. A visit here not only offers insight into the development history of these paintings but also allows one to observe the entire production process firsthand.
Tianjin Xiqing District
Yangliuqing New Year Painting Workshop in Tianjin is aAA-rated attraction

Yangliuqing New Year Painting Workshop in Tianjin
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