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The centuries-old "Arita-yaki" pottery from the Saikumon workshop in Saga

Published: 2026-10-01 👁 101 views
Last updated 2026-10-01 — Japan’s “Arita-yaki” is one of the country’s most representative types of ceramics, with a history of about 400 years. It flourished in Saga, Kyushu, and is famous for its delicate paintings and rich colors. Among them, the Saikumon workshop still preserves the “purely handcrafted”...

 

Text & Photography / Chi Binghui
 
Both Yingge in Taiwan and Jingdezhen in mainland China are renowned ceramic hubs with a long history of porcelain production dating back several centuries, each with slightly different techniques. Japan’s “Arita-yaki” is one of the country’s most representative types of ceramics, with a history of about 400 years. It flourished in Saga, Kyushu, and is famous for its delicate paintings and rich colors. Among them, the Saikumon workshop still preserves the “purely handcrafted” techniques, with every step strictly monitored to produce precious and limited quantities of Arita-yaki.

The handmade process of Arita-yaki is complex.

The Saikumon workshop offers group visits to its studio by appointment.

In the 17th century, Lee Sakai, a potter from the Joseon Dynasty, discovered high-quality ceramic raw materials on Sannozan Mountain in Arita, marking the beginning of Arita-yaki history. Later, Kakiemon Sakaida invented the “colored porcelain” technique, using large amounts of blue and red pigments on pure white porcelain, accented with hints of green and yellow. The craftsmanship was intricate, and at the time, a significant amount was exported to Europe.

The female master skillfully paints with brown glaze, which turns blue after firing.

After coloring, another layer of glaze is applied.

 

The Saikumon workshop, established in this region, has a 250-year history. It currently employs about 50 masters, each with at least ten years of experience. From pottery-making, painting and coloring, glazing, drying, to firing, they all adhere to ancient handcrafting techniques. Each master is responsible for a specific step, making the process especially time-consuming. The highest quality pieces can take up to two months to complete, and any slight imperfection leads to rejection — about 20% are considered defective. Annual production varies.

The master is diligently working beneath layers of finished pieces.

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