Square of the Golden Rooster’s Crown

　　The theme sculpture of the Square of the Golden Rooster’s Crown takes the “Imperial Seal” as its creative element. The top adopts the form of the “dragon,” the spiritual totem of the Chinese nation, representing the land of China and symbolizing “Heaven’s blessing for the prosperity of the Chinese nation.” The four sides are adorned with decorative patterns of the mythological creatures—the Azure Dragon, White Tiger, Vermilion Bird, and Black Tortoise—commanding awe in all directions, representing the supreme authority bestowed by the people. The seal script on the seal reads “金鸡之冠” (Golden Rooster’s Crown) in intaglio style. This complements the vermilion seal script on the base, signifying that this place is the highest point in China’s latitude and truly deserves the title of the “Golden Rooster’s Crown.” The supporting structure incorporates the placement method of the “literary prosperity direction” from the principles of geographical feng shui, ingeniously combining the “column body” with the “seal.” The main body rises powerfully from the ground, standing majestic like a monument in the square, showcasing the bearing and style of Mohe as the “Crown of the Golden Rooster.” The column body is made using mirror-finish stainless steel combined with forged copper patterns, inheriting the historical civilization of China while presenting a new look of the “Pole of China.” Under sunlight, the shimmering light symbolizes the unique natural phenomenon of Mohe—the Aurora Borealis. The forged copper patterns are adorned with traditional wave motifs; in the Five Elements theory, the north corresponds to water, symbolizing nourishment and accumulation, representing the mother river of the Heilongjiang region—the Heilongjiang River. This truly reflects the phrase “Magical Aurora Borealis, Endless Heilongjiang River.” The base part adopts the concept of “round sky and square earth,” integrating traditional Chinese scholarly theories such as the “Four Symbols” and “Eight Trigrams.” The four totem pillars extending from the main body of the sculpture respectively showcase Mohe’s unique “celestial phenomena, landscapes, culture, and history,” expressing hopes for Mohe’s future development.

　　The theme sculpture of the Square of the Golden Rooster’s Crown takes the “Imperial Seal” as its creative element, the top adopts the form of the “dragon,” the spiritual totem of the Chinese nation, representing the land of China and symbolizing “Heaven’s blessing for the prosperity of the Chinese nation”; the four sides are adorned with decorative patterns of the mythological creatures—the Azure Dragon, White Tiger, Vermilion Bird, and Black Tortoise—commanding awe in all directions, representing the supreme authority bestowed by the people; the seal script on the seal is in intaglio-style “金鸡之冠,” which complements the vermilion seal script on the base, symbolizing that this place is the highest point in China’s latitude and is rightfully called the “Golden Rooster’s Crown”; the supporting structure incorporates the placement method of the “literary prosperity direction” in geographical feng shui, combining the “column body” and “seal” ingeniously; the main body rises forcefully from the ground, majestic and powerful, resembling a monument standing tall in the square, displaying the bearing and style of Mohe as the “Crown of the Golden Rooster”; the column body is made using mirror-finish stainless steel with forged copper patterns, inheriting China’s historical civilization while showcasing the new look of the “Pole of China”; under sunlight, the shining light symbolizes Mohe’s unique natural wonder—the Aurora Borealis; the forged copper patterns are decorated with traditional wave motifs, as the north corresponds to water in the Five Elements, symbolizing nourishment and accumulation, representing the mother river of the Heilongjiang region—the Heilongjiang River, truly reflecting the saying “Magical Aurora Borealis, Endless Heilongjiang River”; the base part uses the concept of “round sky and square earth,” integrating the traditional concepts of the “Four Symbols” and “Eight Trigrams,” with the four totem pillars extending from the sculpture’s main body showcasing Mohe’s unique “celestial phenomena, landscapes, culture, and history,” expressing aspirations for Mohe’s future development.