The "Doukui Ancestral Hall" faces south with a north orientation, and is built with a brick-and-wood structure and a flush gable roof. It features grey bricks with finely jointed mortar, and includes both front and rear courtyards. The main gate facade wall is 8 meters high, and the entire complex covers an area of 880 square meters. The interior is divided into three rows and two courtyards, comprising a total of 12 rooms. The entrance gate lintel is inlaid with two-tiered stone plaques: the upper tier vertically inscribed with "Imperial Grant of Rank," flanked by relief carvings of figures, and the lower tier horizontally engraved with "Doukui Ancestral Hall." Opposite the main gate is a screen wall featuring gold-leaf calligraphy of the characters "Longevity" and "Splendor of Literary Governance," which remain radiant to this day. The front hall is flanked by covered corridors (qilou), with a central courtyard. The main hall features a double-layered spirit niche, each niche with its own door. The brackets between beams and pillars are adorned with round carvings of auspicious creatures such as qilin (Chinese unicorns), dragons, phoenixes, lions, and deer. The latticework screens are decorated with intricate floral patterns, motifs of happiness and longevity—richly detailed and lifelike. The second-floor railings of the inner hall are entirely made of camphor wood carvings, with a black lacquer base, bright red finish, and gold outlining. At the top inside the main gate is a 4-square-meter caisson ceiling, with carved floral decorations at the four corners and a central depiction of bamboo and plum blossoms, showcasing exquisite craftsmanship. The rear courtyard connects to the east-side wing rooms, with a gate lintel inscribed with "Birds Singing Among Flowers." On the eastern side of the front courtyard, there is a small fishpond. Outside the courtyard, fresh water flows into the pond, and the pond wall is inscribed with the phrase "Compromise for Harmony." The fishpond is connected to the kitchen for easy feeding and harvesting.
Although the structure dates back to the late Qing Dynasty, its craftsmanship is no less impressive than that of the prosperous Kangxi and Qianlong eras. Its builders were scholars from Confucian backgrounds who later became wealthy through business ventures. After making their fortunes, they purchased the title of fifth-rank official and selected a secluded rural site based on Daoist feng shui principles to construct this grand residence. The building reflects a blend of Confucian ideals, merchant ambition, agricultural roots, and personal taste—embodying the mindset of feudal literati and showcasing unique characteristics.
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